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He repeated this entire passage from memory, with a feeling and appreciation unsurpassed by anything I ever witnessed upon the stage. Remaining in thought for a few moments, he continued:—

"The opening of the play of 'King Richard the Third' seems to me often entirely misapprehended. It is quite common for an actor to come upon the stage, and, in a sophomoric style, to begin with a flourish:—

Now," said he, "this is all wrong. Richard, you remember, had been, and was then, plotting the destruction of his brothers, to make room for himself. Outwardly, the most loyal to the newly crowned king, secretly he could scarcely contain his impatience at the obstacles still in the way of his own elevation. He appears upon the stage, just after the crowning of Edward, burning with repressed hate and jealousy. The prologue is the utterance of the most intense bitterness and satire."