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 power. This majesty of passion is possessed by nearly every man once in his life, but it is usually an attribute of youth and conduces to the first successful mating.

Hurstwood, being an older man, could scarcely be said to retain the fire of youth, though he did possess a passion warm and unreasoning. It was strong enough to induce the leaning toward him which, on Carrie's part, we have seen. She might have been said to be imagining herself in love, when she was not. Women frequently do this. It flows from the fact that in each exists a bias toward affection, a craving for the pleasure of being loved. The longing to be shielded, bettered, sympathised with, is one of the attributes of the sex. This, coupled with sentiment and a natural tendency to emotion, often makes refusing difficult. It persuades them that they are in love.

Once at home, she changed her clothes and straightened the rooms for herself. In the matter of the arrangement of the furniture she never took the house-maid's opinion. That young woman invariably put one of the rocking-chairs in the corner, and Carrie as regularly moved it out. To-day she hardly noticed that it was in the wrong place, so absorbed was she in her own thoughts. She worked about the room until Drouet put in appearance at five o'clock. The drummer was flushed and excited and full of determination to know all about her relations with Hurstwood. Nevertheless, after going over the subject in his mind the livelong day, he was rather weary of it and wished it over with. He did not foresee serious consequences of any sort, and yet he rather hesitated to begin. Carrie was sitting by the window when he came in, rocking and looking out.

"Well," she said innocently, weary of her own mental discussion and wondering at his haste and ill-concealed excitement, "what makes you hurry so?"

Drouet hesitated, now that he was in her presence, un-