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Introduction realise that the character of the hero is the same throughout. Gawain is unfailingly valiant, generous, and courteous, even, as we see in our final story, to excess. We realise as we read that, as Professor Maynadier, in his Wife of Bath’s Tale, has well pointed out, it is in truth Gawain and not Arthur who was the typical English hero.

Is it too much to ask of the students of Malory, fascinated by the noble style in which he has clothed and disguised the real poverty of his réchauffée, that they should for a short time lay him aside, and turning back to the true Arthurian legend, learn at last to do justice to one of the most gracious and picturesque figures in literature—a figure to which gross injustice has been done—that, rejecting Malory’s libel, they do tardy justice to our own insular hero—for not the most fanatical partisan of the Continental school has ever ventured to claim him—to the true Sir Gawain? Then, perhaps, we may have a demand for his real story, and it may be possible once more to rejoice the hearts of our English folk with a restored and modern