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 Chinese dragon pattern, in relief quite a quarter of an inch, or more deep.

I have also seen exceedingly fine specimens of copper and brass work, chiefly articles for the decoration of their altars, such as trumpets, candlesticks, rice-boxes, tables, &c., and they also cover many of their temple pillars with copper or silver beaten into most beautiful patterns, and the altar tables are examples of beaten work with bold designs.

The Bhutanese excel in casting bells, and I have seen some excellent specimens with very fine tones. The composition used for the best bells contains a good deal of silver, but they never make them of any great size, the largest I have seen being probably twenty-four inches in diameter and of about an equal height.

In iron-work they are also good artificers, and many of their sword-blades are of excellent manufacture and finish, and are still made from the charcoal iron. The polish they put on them is wonderful, and the blades almost look as though they had been silvered.

Their swords are very handsome weapons, with finely finished blades, elaborately wrought silver handles inlaid with turquoise and coral, and silver scabbards with gold-washed patterns, attached to handsome leather belts with brightly coloured silk cords and tassels. Their daggers are also very fine, many of them with triangular blades and fluted sides, with sheaths of exquisite open silver and gold work set with turquoise.

Every house of any importance has large workrooms attached in which weaving is carried on, and the stuffs produced, consisting of silks for the chiefs’ dress, woollen, and cotton goods, are excellent; and a good deal of embroidery is also done.

The monasteries possess an art which, as far as I know, is peculiar to Bhutan. They make most beautiful needle-work pictures of the saints on hanging banners. Innumerable pieces of coloured silks and brocades are applied