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 other buildings were for the most part ordinary temples, with frescoed walls and altars, with butter lamps and incense burning, and in the principal one there was a very fine brass Buddha of more than life size, surrounded by his satellites. There were also some unusually good specimens of dorjes (thunderbolts) and purpas (daggers), both of which are used in the temple services. They were supposed to be of holy origin, and to be found amongst the solid rocks near the shrine, but I could see none, although the Bya-gha Jongpen’s son, a nephew of the Tongsa, had taken one away a few weeks previously. My servants were very anxious to secure one of these treasures, and climbed to an almost inaccessible point in the rocks in search of them, but without success.

In the centre of the gorge, perched upon a tiny ledge, there was a hermit’s dwelling, which could only be reached by climbing a perpendicular notched pole about forty feet high. It looked diminutive against the enormous precipice, and very dreary and uninviting, with long icicles hanging from the roof, and we did not attempt to visit it. We, however, climbed to the top of the precipice to visit the monastery of Sang-tog-peri, which was most picturesquely situated on a projecting spur, with a fine old oak overhanging the entrance. It reminded me of some of the Japanese temples in Kioto in the way the natural features of the ground had been utilised to beautify the entrance.

There was a lovely view from this point. Around us on all sides were spurs with other monasteries and nunneries, but they were all more or less difficult of access, and our time would not admit of further delay, so we were obliged to return leaving them unvisited. It was a place that would take days to explore, and would well repay the trouble, especially to an artist in search of the beautiful and unusual.

We returned to Dug-gye by another road, which led down an easy spur, and were glad to rest round our campfire, as it was late and cold.