Page:Sidnay McCall--The dragon painter2.djvu/70



or a long interval the two men sat in silence. Kano leaned forward from time to time, filling the small cup which Tatsu—half in revery it seemed—had once more drained. The old servant now and again crept in on soundless feet to replace with a freshly heated bottle of sakè the one grown cold. So still was the place that the caged cricket hanging from the eaves of Umè's distant room beat time like an elfin metronome.

Two of the four walls of the guest-room were of shoji, a lattice covered with translucent rice-paper. These opened directly upon the garden. The third wall, a solid one of smoke-blue plaster, held the niche called "tokonoma," where pictures are hung and flower vases set. The remaining wall,