Page:Sidnay McCall--The dragon painter2.djvu/257

 to trace, with almost superhuman mimicry and skill, the shadow-pictures of his shadow-world.

Yet gradually it became not merely a dull necessity to paint, the one barrier that held from him a devastating grief, but also something of a solace. The room where Umè's ever-lighted shrine was kept came more and more to seem the expression of herself. This the old priest had promised; Umè's letter had assured him that thus she would be near. In the blurred, purple hour of dusk when paints must be laid aside, and the heart given over to dreaming, the little room became her very earthly entity, the soft, smoke-tinted walls her breathing, the elastic matted floor but the remembered echoes of her feet, the sliding sliver fusuma her sleeves, the butsudan, with its small, clear lamp, its white wood, and its flowers, her face.

Now always he kept the walls that used to separate their chamber and his painting room removed; so that a single essence filled both