Page:Sidnay McCall--The dragon painter2.djvu/227

 armored magazines of beauty—hinted already of the spring's rebirth. Life was all about him, and he hated life. Why should cherry blooms and sparrows dare to come again,—why should that old man near him wheeze and palpitate with life, why—why—should he, Tatsu, be held from his one friend, Death, when she, the essence of all life and beauty,—she who should have been immortal,—drifted alone, helpless, a broken white sea-flower, on some black, awful tide?

In the midst of such dreary imaginings, old Kano, late in the last month of the year, crept in upon his son. He was an hour earlier than his custom. Also there was something unusual,—a new energy, perhaps a new fear, noticeable in face and voice. But Tatsu, still bleeding with his visions of the dawn, saw nothing of this. The premature visit irritated him. "Go, go," he cried, turning his face sharply away. "This is a full hour early. Am I to have no moments to myself?"