Page:Sidnay McCall--The dragon painter2.djvu/135

 A secluded room was fitted up as a studio, for his sole use. Here were great rectangles of paper, rolls of thin silk, stretching frames, water holders, multitudinous brushes, and all the exquisite pigment that Japanese love of beauty has drawn from water, earth, and air; delicate infusions of sea-moss, roots, and leaves, saucers of warm earth ground to a paste, precious vessels of powdered malachite, porphyry, and lapis lazuli. But the boy looked askance upon the expensive outlay. His wild nature resented so obvious a lure. It seemed unworthy of a Dragon Painter to accept this multitude of material devices. He had painted on flakes of inner bark, still quivering with the life from which he had rudely torn them. Visions limned on rock and sand had been the more precious for their impermanence. Here, every stroke was to be recorded, each passing whim and mood registered, as in a book of fate.

For days the little workroom remained immaculate. Kano began to fret. Ando