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90 apparently had been made to illuminate, with red and yellow ink or paint, the initial characters and the beginnings of chapters, but the work had been coarsely and clumsily done.

From the principal temple of the lamasery we were taken to a chapel or smaller building in the same inclosure to see the great image of Máidera, one of the most highly venerated burkháns in the lamaistic pantheon. It proved to be a colossal human figure in a sitting posture, skilfully carved out of wood and richly overlaid with colors and gold. I estimated its height at thirty-five feet. It stood in the center of a rather narrow but high-domed chapel, hung round with banners, streamers, and lanterns, and really was a very imposing object. Tapers and incense were burning upon an altar covered with silken drapery which stood directly in front of the great idol, and upon the same altar were offerings in the shape of flowers made out of hardened butter or wax, and a large number of bronze or porcelain bowls filled with millet, rice, wheat, oil, honey, or consecrated water. Some of these bowls were open so that their contents could be seen, while others were covered with napkins of red, blue, or yellow silk. Here, as in the great temple, the partial gloom was lighted up by the brilliant coloring of the decorations and draperies, and by the splendid orange and crimson dresses of the attendant lamas.

From the chapel of Máidera we were conducted to a third building in another part of the same inclosure, where we found ourselves in the presence of the sacred white elephant. I had always associated the white elephant with Siam, and was not a little surprised to find a very good imitation of that animal in an East-Siberian lamasery. The elephant of Goose Lake had been skilfully carved by some Buriát or Mongol lama out of hard wood, and had then been painted white, equipped with suitable trappings, and mounted on four low wheels. The sculptured elephant was somewhat smaller than the living animal, and his tusks had