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 of silver-ware. Each village has usually one or more native artists engaged in executing orders for the princes and wealthy classes. The ''modus operandi'' is primitive, and the work lacks finish, but the general effect is bold and pleasing. A thin plate of the right shape is filled with a composition of wax and resin. The patterns are from memory, usually a medley of mythical birds and beasts, and the design is hammered out with a style and sort of blunt chisel, the plastic filling yielding readily to each blow; the figures and scroll-work stand out in high relief. The value of articles is determined by the weight, with fifty per cent. added for labor.

Life in Laos is exceedingly monotonous. The women do much of the hard work in the field as well as in the household. During the dry, cool season, from November to May, even the trees and grass seem dried up and lifeless, only the orchids showing any signs of vitality. Heavy thunder- and hail-storms in May often herald the opening of the rainy season. Then all nature takes a fresh start: the rice is planted; new leaves shoot out; the heat becomes intense; vegetation is almost spontaneous. After planting, only a very little labor is needed to secure a good harvest in a favorable season. Both buffaloes and oxen are used for ploughing, and are