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 friendship without it?—Sir Philip had a literary turn: he wrote poetry, sonnets, stanzas, ballads. Perhaps Miss Keeldar thought him a little too fond of reading and reciting these compositions; perhaps she wished the rhyme had possessed more accuracy—the measure more music—the tropes more freshness—the inspiration more fire: at any rate, she always winced when he recurred to the subject of his poems, and usually did her best to divert the conversation into another channel.

He would beguile her to take moonlight walks with him on the bridge, for the sole purpose, as it seemed, of pouring into her ear the longest of his ballads: he would lead her away to sequestered rustic seats, whence the rush of the surf to the sands was heard soft and soothing; and when he had her all to himself, and the sea lay before them, and the scented shade of gardens spread round, and the tall shelter of cliffs rose behind them, he would pull out his last batch of sonnets, and read them in a voice tremulous with emotion. He did not seem to know, that though they might be rhyme, they were not poetry. It appeared by Shirley's downcast eye and disturbed face that she knew it, and felt heartily mortified by the single foible of this good and amiable gentleman.

Often she tried, as gently as might be, to wean him from this fanatic worship of the Muses: it was his monomania—on all ordinary subjects he was sensible enough; and fain was she to engage him in