Page:Shirley (1849 Volume 3).djvu/156

 following a phantom from parlour to parlour. In the oak-room he stops; this is not chill, and polished, and fireless like the salon: the hearth is hot and ruddy; the cinders tinkle in the intense heat of their clear glow; near the rug is a little work-table, a desk upon it, a chair near it.

Does the vision Moore has tracked occupy that chair? You would think so, could you see him standing before it. There is as much interest now in his eye, and as much significance in his face, as if in this household solitude he had found a living companion, and was going to speak to it.

He makes discoveries. A bag, a small satin bag, hangs on the chair-back. The desk is open, the keys are in the lock; a pretty seal, a silver pen, a crimson berry or two of ripe fruit on a green leaf, a small, clean, delicate glove—these trifles at once decorate and disarrange the stand they strew. Order forbids details in a picture: she puts them tidily away; but details give charm.

Moore spoke.

"Her mark," he said: "here she has been—careless, attractive thing!—called away in haste, doubtless, and forgetting to return and put all to rights. Why does she leave fascination in her foot-prints? Whence did she acquire the gift to be heedless, and never offend? There is always something to chide in her, and the reprimand never settles in displeasure on the heart; but, for her lover or her husband, when it had trickled a while in words, would