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 and even encourage, because he could relish the results of their art; he could see the charm of a fine picture, and feel the pleasure of good music; but a quiet poet—whatever force struggled, whatever fire glowed, in his breast—if he could not have played the man in the counting-house, or the tradesman in the Piece Hall, might have lived despised, and died scorned, under the eyes of Hiram Yorke.

And as there are many Hiram Yorkes in the world, it is well that the true poet, quiet externally though he may be, has often a truculent spirit under his placidity, and is full of shrewdness in his meekness, and can measure the whole stature of those who look down on him, and correctly ascertain the weight and value of the pursuits they disdain him for not having followed. It is happy that he can have his own bliss, his own society with his great friend and goddess, Nature, quite independent of those who find little pleasure in him, and in whom he finds no pleasure at all. It is just, that while the world and circumstances often turn a dark, cold side to him—and properly, too, because he first turns a dark, cold, careless side to them—he should be able to maintain a festal brightness and cherishing glow in his bosom, which makes all bright and genial for him, while strangers, perhaps, deem his existence a Polar winter never gladdened by a sun. The true poet is not one whit to be pitied, and he is apt to laugh in his sleeve, when any misguided sympathizer whines over his wrongs. Even when utilitarians sit in VOL. I.