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 quick impulses of passion; it does not seek men in leisure and retirement that it may furnish agreeable occupation for their hours of repose, but it requires men to hasten and throng around it. A certain degree of mental development and simplicity, a certain community of ideas and habits between the different classes of society, greater ardor than fixity of imagination, greater movement of soul than of existence, a strongly-excited moral activity destitute of any imperious and determined object, liberty of thought and repose of life—these are the circumstances of which dramatic poetry has need, in order to shine with its full splendor. These circumstances never combined so completely or so harmoniously among modern peoples as among the Greeks. But wherever their leading characteristics have been found to exist, the drama has become elevated; and neither have men of genius been failing to the public, nor has the public proved wanting to men of genius.

The reign of Elizabeth, in England, was one of those decisive epochs, so laboriously attained by modern peoples which terminate the empire of force and inaugurate the reign of ideas. Original and fruitful epochs are these, when the nations flock to mental enjoyments as to a new kind of gratification, and when thought prepares, in the pleasures of youth, for the discharge of those functions which it will be called upon to exercise at a riper age.

Scarcely recovered from the storms with which it had been ravaged by the alternate successes and reverses of the Red and White Roses, before it was again distracted and exhausted by the capricious tyranny of Henry VIII. and the malevolent despotism of Mary, England demanded of Elizabeth, at her accession, nothing but order and peace; and this was precisely what Elizabeth was most dis-