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 (1) I have included speeches rhymed or ending with rhymes, mainly because I find that Shakespeare will sometimes (in later plays) end a speech which is partly rhymed with an incomplete line (e.g. Ham. ii. 187, and the last words of the play: or Macb.  i. 87,  ii. 31). And if such speeches are reckoned, as they surely must be (for they may be, and are, highly significant), those speeches which end with complete rhymed lines must also be reckoned. (2) I have counted any speech exceeding a line in length, however little the excess may be; e.g.

considering that the incomplete line here may be just as significant as an incomplete line ending a longer speech. If a speech begins within a line and ends brokenly, of course I have not counted it when it is equivalent to a five-foot line; e.g.

but I do count such a speech (they are very rare) as

for the same reason that I count

Of the speeches thus counted, those which end somewhere within the line I find to be in Othello about 54 per cent.; in Hamlet about 57; in King Lear about 69; in Macbeth about 75. The order is the same as König’s, but the figures differ a good deal. I presume in the last three cases this comes from the difference in method; but I think König’s figures for Othello cannot be right, for I have tried several methods and find that the result is in no case far from the result of my own, and I am almost inclined to conjecture that König’s 41.4 is really the percentage of speeches ending with the close of a line, which would give 58.6 for the percentage of the broken-ended speeches.