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RV 297 (Rh) Albany is merely sketched, and he is so generally neglected that a few words about him may be in place. He too ends a better and wiser man than he began. When the play opens he is, of course, only just married to Goneril; and the idea is, I think, that he has been bewitched by her fiery beauty not less than by her dowry. He is an inoffensive peace-loving man, and is overborne at first by his ‘great love’ for his wife and by her imperious will. He is not free from responsibility for the treatment which the King receives in his house; the Knight says to Lear, ‘there’s a great abatement of kindness appears as well in the general dependants as in the duke himself also and your daughter.’ But he takes no part in the quarrel, and doubtless speaks truly when he protests that he is as guiltless as ignorant of the cause of Lear’s violent passion. When the King departs, he begins to remonstrate with Goneril, but shrinks in a cowardly manner, which is a trifle comical, from contest with her. She leaves him behind when she goes to join Regan, and he is not further responsible for what follows. When he hears of it, he is struck with horror: the scales drop from his eyes, Goneril becomes hateful to him, he determines to revenge Gloster’s eyes. His position is however very diffcult, as he is willing to fight against Cordelia in so far as her army is French, and unwilling in so far as she represents her father. This difficulty, and his natural inferiority to Edmund in force and ability, pushes him into the background; the battle is not won by him but by Edmund; and but for Edgar he would certainly have fallen a victim to the murderous plot against him. When it is discovered, however, he is fearless and resolute enough, beside being full of kind feeling towards Kent and Edgar, and of sympathetic distress at Gloster’s death. And one would be sure that he is meant to retain this strength till the end, but for his last words. He has