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Rh and when he begins to sing, that he should 'keep time, distance, and proportion,' as Mercutio says Tybalt did in his fencing, see Romeo $2⁄4, 20$.

All this is thoroughly appreciated by Falstaff and his corporal in the following lines:—

Merry Wiv. $1⁄3, 25$.

Falstaff (of Bardolph).… his thefts were too open; his filching was like an unskilful singer, he kept not time.

Nym. The good humour is to steal at a minim's rest.

The metaphor is of an anthem or madrigal, say in four parts. We will suppose the Hostess of the 'Garter' is taking the Cantus, a tapster the Altus, mine Host the Tenor, and Nym the Bassus. The three former are all hard at work on their respective 'parts,' one in the kitchen, another in the taproom, the third in familiar converse outside the front door. But Nym has 'a minim rest,' and during that short respite takes advantage of the absorbing occupations of the other three 'singers' to lay hands on whatever portable property is within his reach. 'A minim rest' is not much—but the point remains. Any musician has had experience of what can be done during a short 'rest'—e.g., to resin his bow,