Page:Shakespeare and Music.djvu/42

28 break. The lark's song suggests musical metaphors in Juliet's speech.

Juliet evidently agrees with Portia that 'nothing is good without respect.' The lark heralds the dawn, so Romeo must leave her, ergo, the lark sings 'out of tune,' his strains are full of 'discords' and 'sharps.' The last two lines contain an interesting allusion in the word 'division,' besides the pun on 'she divideth us.'

'Division' means roughly, a brilliant passage, of short notes, which is founded essentially on a much simpler passage of longer notes. A cant term for the old-fashioned variation (e.g., the variations of the 'Harmonious Blacksmith') was 'Note-splitting,' which at once explains itself, and the older word 'Division.' A very clear example of Divisions may be found in 'Rejoice greatly' in the Messiah. The long 'runs' on the second syllable of 'Rejoice,' consisting of several groups of four semiquavers, are simply 'division' or 'note-splittings' of the first note of each group.