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 to play upon,—studying 'Callcott's Thorough Bass' in the evening, and working at his trade of a miller during the day; occasionally also tramping about the country as a "cadger," with an ass and a cart. During summer he worked in the fields, at turnip-time, hay-time, and harvest, but was never without the solace of music in his leisure evening hours. He next tried his hand at musical composition, and twelve of his anthems were shown to the late Mr. Camidge, of York, as "the production of a miller's lad of fourteen." Mr. Camidge was pleased with them, marked the objectionable passages, and returned them with the encouraging remark, that they did the youth great credit, and that he must "go on writing."

A village band having been set on foot at Masham, young Jackson joined it, and was ultimately appointed leader. He played all the instruments by turns, and thus acquired a considerable practical knowledge of his art: he also composed numerous tunes for the band. A new finger-organ having been presented to the parish church he was appointed the organist. He now gave up his employment as a journeyman miller, and commenced tallow-chandling, still employing his spare hours in the study of music. In 1839 he published his first anthem—'For joy let fertile valleys sing'; and in the following year he gained the first prize from the Huddersfield Glee Club, for his 'Sisters of the Lea.' His other anthem, 'God be merciful to us,' and the 103rd Psalm, written for a double chorus and orchestra, are well known. In the midst of these minor works, Jackson proceeded with the composition of his oratorio,—'The Deliverance of Israel from Babylon.' His practice was, to jot