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 Peter came to my assistance at this juncture, and kindly purchased for me Flaxman's 'Anatomical Studies,'—a work altogether beyond my means at the time, for it cost twenty-four shillings. This book I looked upon as a great treasure, and I studied it laboriously, rising at three o'clock in the morning to draw after it, and occasionally getting my brother Peter to stand for me as a model at that untimely hour. Although I gradually improved myself by this practice, it was some time before I felt sufficient confidence to go on with my picture. I also felt hampered by my want of knowledge of perspective, which I endeavoured to remedy by carefully studying Brook Taylor's 'Principles'; and shortly after I resumed my painting. While engaged in the study of perspective at home, I used to apply for and obtain leave to work at the heavier kinds of smith work at the foundry, and for this reason—the time required for heating the heaviest iron work is so much longer than that required for heating the lighter, that it enabled me to secure a number of spare minutes in the course of the day, which I carefully employed in making diagrams in perspective upon the sheet iron casing in front of the hearth at which I worked."

Thus assiduously working and studying, James Sharples steadily advanced in his knowledge of the principles of art, and acquired greater facility in its practice. Some eighteen months after the expiry of his apprenticeship he painted a portrait of his father, which attracted considerable notice in the town; as also did the picture of 'The Forge,' which he finished soon after. His success in portrait-painting obtained for him a commission from the foreman of the shop to paint a family group, and