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 at home. In this he soon succeeded; and when he again entered the Institute and took out 'Burnet' a second time, he was not only able to read it, but to make written extracts for further use. So ardently did he study the volume, that he used to rise at four o'clock in the morning to read it and copy out passages; after which he went to the foundry at six, worked until six and sometimes eight in the evening, and returned home to enter with fresh zest upon the study of Burnet, which he continued often until a late hour. Parts of his nights were also occupied in drawing and making copies of drawings. On one of these—a copy of Leonardo da Vinci's 'Last Supper'—he spent an entire night. He went to bed indeed, but his mind was so engrossed with the subject that he could not sleep, and rose again to resume his pencil.

He next proceeded to try his hand at painting in oil, for which purpose he procured some canvas from a draper, stretched it on a frame, coated it over with white lead, and began painting on it with colours bought from a house-painter. But his work proved a total failure; for the canvas was rough and knotty, and the paint would not dry. In his extremity he applied to his old teacher, the barber, from whom he first learnt that prepared canvas was to be had, and that there were colours and varnishes made for the special purpose of oil-painting. As soon, therefore, as his means would allow, he bought a small stock of the necessary articles and began afresh,—his amateur master showing him how to paint; and the pupil succeeded so well that he excelled the master's copy. His first picture was a copy from an engraving called 'Sheep-shearing,' and was afterwards sold by him