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 became a candidate for the gold one. Everybody prophesied that he would carry off the medal, for there was none who surpassed him in ability and industry. Yet he lost it, and the gold medal was adjudged to a pupil who was not afterwards heard of. This failure on the part of the youth was really of service to him; for defeats do not long cast down the resolute-hearted, but only serve to call forth their real powers. "Give me time," said he to his father, "and I will yet produce works that the Academy will be proud to recognize." He redoubled his efforts, spared no pains, designed and modelled incessantly, and made steady if not rapid progress. But meanwhile poverty threatened his father's household; the plaster-cast trade yielded a very bare living; and young Flaxman, with resolute self-denial, curtailed his hours of study, and devoted himself to helping his father in the humble details of his business. He laid aside his Homer to take up the plaster-trowel. He was willing to work in the humblest department of the trade so that his father's family might be supported, and the wolf kept from the door. To this drudgery of his art he served a long apprenticeship; but it did him good. It familiarized him with steady work, and cultivated in him the spirit of patience. The discipline may have been hard, but it was wholesome.

Happily, young Flaxman's skill in design had reached the knowledge of Josiah Wedgwood, who sought him out for the purpose of employing him to design improved patterns of china and earthenware. It may seem a humble department of art for such a genius as Flaxman to work in; but it really was not so. An artist may be labeuring truly in his vocation while designing a common