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 them with a contemptuous "pshaw!" But the boy had the right stuff in him; he had industry and patience; and he continued to labour incessantly at his books and drawings. He then tried his young powers in modelling figures in plaster of Paris, wax, and clay. Some of these early works are still preserved, not because of their merit, but because they are curious as the first healthy efforts of patient genius. It was long before the boy could walk, and he only learnt to do so by hobbling along upon crutches. At length he became strong enough to walk without them.

The kind Mr. Matthews invited him to his house, where his wife explained Homer and Milton to him. They helped him also in his self-culture—giving him lessons in Greek and Latin, the study of which he prosecuted at home. By dint of patience and perseverance, his drawing improved so much that he obtained a commission from a lady to execute six original drawings in black chalk of subjects in Homer. His first commission! What an event in the artist's life! A surgeon's first fee, a lawyer's first retainer, a legislator's first speech, a singer's first appearance behind the footlights, an author's first book, are not any of them more full of interest to the aspirant for fame than the artist's first commission. The boy at once proceeded to execute the order, and he was both well praised and well paid for his work.

At fifteen Flaxman entered a pupil at the Royal Academy. Notwithstanding his retiring disposition, he soon became known among the students, and great things were expected of him. Nor were their expectations disappointed: in his fifteenth year he gained the silver prize, and next year he