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 making knife-hafts, boxes, and sundry articles for domestic use. Another partnership followed, when he proceeded to make melon table plates, green pickle leaves, candlesticks, snuff boxes, and such like articles; but he made comparatively little progress until he began business on his own account at Burslem in the year 1759. There he diligently pursued his calling, introducing new articles to the trade, and gradually extending his business. What he chiefly aimed at was to manufacture cream-coloured ware of a better quality than was then produced in Staffordshire as regarded shape, colour, glaze, and durability. To understand the subject thoroughly, he devoted his leisure to the study of chemistry; and he made numerous experiments on fluxes, glazes, and various sorts of clay. Being a close inquirer and accurate observer, he noticed that a certain earth containing silica, which was black before calcination, became white after exposure to the heat of a furnace. This fact, observed and pondered on, led to the idea of mixing silica with the red powder of the potteries, and to the discovery that the mixture becomes white when calcined. He had but to cover this material with a vitrification of transparent glaze, to obtain one of the most important products of fictile art—that which, under the name of English earthenware, was to attain the greatest commercial value and become of the most extensive utility.

Wedgwood was for some time much troubled by his furnaces, though nothing like to the same extent that Palissy was; and he overcame his difficulties in the same way—by repeated experiments and unfaltering perseverance. His first attempts at making porcelain for table use was a