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 name—their productions were of the rudest kind, for the most part only plain brown ware, with the pattern scratched in while the clay was wet. The principal supply of the better articles of earthenware came from Delft in Holland, and of drinking stone pots from Cologne. Two foreign potters, the brothers Elers from Nuremberg, settled for a time in Staffordshire, and introduced an improved manufacture, but they shortly after removed to Chelsea, where they confined themselves to the manufacture of ornamental pieces. No porcelain capable of resisting a scratch with a hard point had yet been made in England; and for a long time the "white ware" made in Staffordshire was not white, but of a dirty cream colour. Such, in a few words, was the condition of the pottery manufacture when Josiah Wedgwood was born at Burslem in 1730. By the time that he died, sixty-four years later, it had become completely changed. By his energy, skill, and genius, he established the trade upon a new and solid foundation; and, in the words of his epitaph, "converted a rude and inconsiderable manufacture into an elegant art and an important branch of national commerce."

Josiah Wedgwood was one of those indefatigable men who from time to time spring from the ranks of the common people, and by their energetic character not only practically educate the working population in habits of industry, but by the example of diligence and perseverance which they set before them, largely influence the public activity in all directions, and contribute in a great degree to form the national character. He was, like Arkwright, the youngest of a family of thirteen children. His grandfather and granduncle were both potters,