Page:Selections from the writings of Kierkegaard.djvu/42

 atom—and what is worse, in the individual's own estimation; when shallow altruistic, socializing effort thought naively that the millenium was at hand, he drove the truth home that, on the contrary, the individual is the measure of all things; that we do not live en masse; that both the terrible responsibility and the great satisfactions of life inhere in the individual. Again, more forcibly than any one else in modern times, certainly more cogently than Pascal, he demonstrated that the possibility of proof in religion is an illusion; that doubt cannot be combatted by reason, that it ever will be c7^edo quia impossibile. In religion, he showed the utter incompatibility of the aesthetic and the religious life; and in Christianity, he re-stated and repointed the principle of ideal perfection by his unremitting insistence on contemporaneousness with Christ. It is another matter whether by so doing Kierkegaard was about to pull the pillars from underneath the great edifice of Christianity which housed both him and his enemies: seeing that he himself finally doubted whether it had ever existed apart from the Founder and, possibly, the Apostles.

Kierkegaard is not easy reading. One's first impression of crabbedness, whimsicality, abstruseness will, however, soon give way to admiration of the marvellous instrument of precision language has become in his hands. To be sure, he did not write for people who are in a hurry, nor for dullards. His closely reasoned paragraphs and, at times huge, though rhetorically faultless, periods require concentrated attention, his involutions and repetitions, handled with such incomparable virtuosity, demand an everlasting readiness of comprehension on the part of the reader. On the other hand his philosophic work is delightfully "Socratic," unconventional, and altogether "un-textbooklike."

Kierkegaard himself wished that his devotional works should be read aloud. And, from a purely aesthetic point of view, it ought to be a delight for any orator to practice on the wonderful periods of e. g., "The Preparation," or of,