Page:Screenland October 1923.djvu/104

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she did it very well. Behind her Benda mask—her curious eyes and the mouth that has been called mysterious—is there just a good business woman from the middle-west?

There have been whispers that Gloria had become temperamental. That she carried her emotions around with her, in and out of focus. Zaza, went the whispers, is such a darned emotional part that it can hardly be played two days in succession.

I watched and waited for an outburst. I have wasted precious hours in studios hoping for a display of temperament. I have never seen one. It was always just the day before that Elsie Ferguson threw something at someone.

heard that Blanche Sweet, in a justifiable irritation, cleared the top of a dressing table of its contents. That Mary Pickford once retired weeping to her dressing room because Marshall Neilan, then her director, gave her a good talking-to. But I am always a day too late. Perhaps, if I had taken Miss Swanson quietly aside and told her just how I felt about it, she would have given us something to talk about. As it was, she spoke of such things as the modern woman.

much abused. I believe she is more wholesome than her mother or grandmother. The things they longed to do and dared not, she does naturally. She is herself. Her cigarettes, her passion for Jazz and speed, are simply little symbols of her urge for expression. I see the psychology of it—one of the results of war. Women had faith, and waited and prayed for their sons, sweethearts, husbands, brothers, who often did not come back. Now they have felt the reaction. They have lost some of that faith. They seek relief in action. And she is none the worse for it, that I can see."

It was then that what seemed to be a small parade passed through the set. Everyone waited—if not with bared heads, still with bated breath. Came a correct nurse, shearing a white, fluffy thing in her arms; followed various attendants. The parade proceeded to the throne. Zaza held out sparkling arms.

," she cried.

It was just like a scene from a play. I expected director Dwan to call "Camera" at any moment. And the sub-title would read, "The great actress paused in her make-believe and became—just a mother."

Gloria the Second was made to stand upon a chair. She surveyed the adoring group about her and ducked her head.

"What," asked Gloria the First, "does my baby think of mother all dressed up like this?"

Her baby looked at mother and made no answer.

"Adorable!" gurgled the group.

Swanson-Somborn is about two years old now. She has eyes like her mother's as to color, but they are not in the least oriental— yet. They are just wide, infant's eyes. She has a mouth, and a nose, and light hair. It may have been an off day in the nursery, but it did seem that Gloria II was a bit bored with it all. Her life is practically her own. She never poses for publication. Her mother believes a baby's place is in the home; that if Gloria wants publicity when she's old enough to know her own mind, she shall have it, but not before.

"She's been crying all day," remarked her nurse.

"A-a-ah," murmured the sympathetic group.

are installed in the house at Bayside, Long Island, which belonged to Norma Talmadge and Joe Schenck. After the Swanson place in California, it is probably little more than a rude shelter. But Gloria and little Gloria must put tip with it for two more pictures. The next, to follow Zaza will be a costume affair.

Red on the eyelids, by the way, is a detail of the Swanson make-up. It helps to give her eyes that inscrutable expression which has innocently caused so many of our home girls to acquire lasting squints.