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 and not upon the concept of matter. In the present lecture, I propose in the first place to consider how the concrete educated thought of men has viewed this opposition of mechanism and organism. It is in literature that the concrete outlook of humanity receives its expression. Accordingly it is to literature that we must look, particularly in its more concrete forms, namely in poetry and in drama, if we hope to discover the inward thoughts of a generation.

We quickly find that the Western peoples exhibit on a colossal scale a peculiarity which is popularly supposed to be more especially characteristic of the Chinese. Surprise is often expressed that a Chinaman can be of two religions, a Confucian for some occasions and a Buddhist for other occasions. Whether this is true of China I do not know; nor do I know whether, if true, these two attitudes are really inconsistent. But there can be no doubt that an analogous fact is true of the West, and that the two attitudes involved are inconsistent. A scientific realism, based on mechanism, is conjoined with an unwavering belief in the world of men and of the higher animals as being composed of self-determining organisms. This radical inconsistency at the basis of modern thought accounts for much that is half-hearted and wavering in our civilisation. It would be going too far to say that it distracts thought. It enfeebles it, by reason of the inconsistency lurking in the background. After all, the men of the Middle Ages were in pursuit of an excellency of which we have nearly forgotten the existence. They set before themselves the ideal of the attainment of a harmony of the understanding. We are content with superficial orderings from diverse