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Mainwaring and Vyan—certainly life was a poor business, when a spirited young fellow, with a good appetite for the best of everything, had so poor an outlook."

Of contrasting caliber is Adam Bede, whose vision is turned outward and even upward, instead of altogether inward; and whose survey causes a feeling of modesty rather than injured conceit.

"Adam, I confess, was very susceptible to the influence of rank, and quite ready to give an extra amount of respect to every one who had more advantages than himself, not being a philosopher, or a proletaire with democratic ideas, but simply a stout-limbed clever carpenter with a large fund of reverence in his nature, which inclined him to admit all established claims unless he saw very clear grounds for questioning them."

George Eliot was held in high esteem by George Meredith; and the two were indeed akin in outlook, and very much so in the matter of ironic usage, in spite of their wide difference in general style. But the Meredithian solution is at once more saturated and more subtle, combined with greater uniformity of effect. This, however, does not spell monotony, diversity being furnished by range of ideas and breadth of subject-matter. Meredith has one ironic mold, but into it he pours a procession of contents of great variety. The tone, it is unnecessary to say, is undilutedly masculine; so is Eliot's, except for the presence of an element usually reckoned as feminine, and mentioned, by a curious coincidence, in Meredith's approving characterization of a French writer. In making out his own preferred list with accompanying reason, he cites Renan, "for a delicate irony scarcely distinguishable from tender-*