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22 they had not spoken. He had not been to her all that he might have been, but … But—he was her man.

And now he was going; in half an hour her Pierre was going to leave her. For him the bustle and glamour of the unknown; for her—the empty chair, the lonely house, and her thoughts. Dear God! but war is a bad thing for the women who stop behind. …

And on Draycott's brain a tableau is stamped indelibly, just a little tableau he saw that night in the restaurant of the Gare de Lyon. They came, the three of them, up the flight of steps from the seething station below, into the peace and quiet of the room, and a roar of sound swept in with them as the doors swung open. Threading their way between the tables, they stopped just opposite to where he sat, and instinctively he turned his head away. For her the half-hour was over, her Pierre had gone; and it is not given to a man to look on a woman's grief save with a catching in the throat and a pricking in the eyes. It is so utterly terrible in its overwhelming agony at the moment, so absolutely final; one feels so helpless.

The little boy clambered on to a chair and sat watching his mother gravely; a grey-haired woman with anxious eyes held one of her hands clasped tight. And the girl—she was just a girl, that's all—sat dry-eyed and rigid, staring, staring, while every now and then she seemed to whisper something through lips that hardly moved.