Page:Sacred Books of the Buddhists Vol 1.djvu/30

 elegance of their form and the skill displayed in the handling of a great variety of metres, some of which are rarely to be met with elsewhere, and are sometimes adorned with the additional qualities of difficult and refined rhymes, and the like. Apparently Sûra, to whom the Gâtakamâlâ is ascribed, was a poet richly gifted by Nature, whose talent must have been developed by thorough and extensive literary studies. Above all, I admire his moderation. Unlike so many other Indian masters in the art of literary composition, he does not allow himself the use of embellishing apparel and the whole luxuriant mise en scène of Sanskrit alamkâra beyond what is necessary for his subject. His flowery descriptions, his long and elaborate sermons, his elegant manner of narration, are always in harmony with the scheme of the whole or the nature of the contents. Similarly, in the choice of his metres he was guided by stylistic motives in accordance with the tone and sentiment required at a given point of the narrative. It is a pity that most of these excellencies are lost in the translation.

Thus much for the philologist and the lover of Oriental literature. To the student of Buddhism it is the peculiar character of the Gâtakamâlâ which constitutes its great importance. Although it is styled 'a garland of stories,' it is really a collection of. Each Gâtaka is introduced by a simple prose sentence of ethical and religious purport, which is to be illustrated by the story. The whole treatment of the tale bears the character of a religious discourse. Prof. Cowell, in his preface to the translation of the Pâli Gâtaka, observes that the Gâtaka-legends are 'continually introduced into the religious discourses &hellip; whether to magnify the glory of the Buddha or to illustrate Buddhist doctrines and