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 # have been approached in the past. Planetarium show content now ranges from storytelling for children to accurate visualizations of the bending of light around the supermassive black hole in M87. Storylines can be as complex as those seen on NOVA, the popular documentary television series. For example, Big Astronomy, an ambitious planetarium show with a broad perspective on the enterprise of research astronomy including a number of social and cultural themes, also includes Vera C. Rubin Observatory, which will be extremely vulnerable to satellite constellations because of its large etendue. ''We should offer up not just the notion of being sensible and responsible about [nature], which is sustainable development, nor the notion of its mammoth utilitarian and financial value, which is ecosystem services, but a third way, something entirely different: we should offer up what it means to our spirits; the love of it. We should offer up its joy.''
 * 1) Many planetariums also offer live presentations that augment pre-recorded shows like Big Astronomy. This offers an opportunity for planetarians to contextualize the effect of satellite constellations in terms of topics addressed by the shows. A “live section” following Big Astronomy, for example, could highlight the effect of satellite constellations on the Rubin Observatory Legacy Survey of Space and Time (LSST) program, followed by tips on how audience members can act to preserve dark skies. Live segments can be considered as “rapid deployment presentations” for timely topics like satellite constellations.
 * 2) Planetariums can deliver emotional astronomy experiences and be used for artistic performances. Although they are admittedly “second best” to stunning dark night skies in nature, they are ondemand and accessible to even the most light-polluted populations. They bring the night sky experience to the people. All planetarians, no matter what the show they are presenting, know the power of the stars. Ironically, this affective capability of planetariums might prove to be the most important factor for addressing the satellite constellation challenge. This is because we face a challenge to motivate the public similar to the one the environmental movement has had to deal with for decades. The British environmental writer Michael McCarthy argues that engendering an emotional connection to nature may prove to be the best approach for engaging the general public:

The planetarium community also offers an organizational bonus. Although widespread and institutionally diverse, they are a relatively close-knit group. This means that any programming created for planetariums or for professional development programs can be distributed via well-established organizational channels. A prime channel is the International Planetarium Society (IPS). This organization can, with coordinated and adequately funded programs, reach nearly every planetarium in the world. The IPS has already connected with the SATCON2 Community Engagement Working Group and initiated the formation of an educational working group of their own. In addition, other planetarium communities of practice, such as LIPS, support professional development with a focus on how to engage audience members.

5.3. Recommendations

During the SATCON2 online meeting and subsequent discussions, the following specific thoughts regarding planetariums were offered, some of which can be used as action items for the coming months Rh