Page:Ruskin - The Seven Lamps of Architecture.djvu/37

Rh the offering of precious things, merely because they are precious, not because they are useful or necessary. It is a spirit, for instance, which of two marbles, equally beautiful, applicable and durable, would choose the more costly, because it was so, and of two kinds of decoration, equally effective, would choose the more elaborate because it was so, in order that it might in the same compass present more cost and more thought. It is therefore most unreasoning and enthusiastic, and perhaps best negatively defined, as the opposite of the prevalent feeling of modern times, which desires to produce the largest results at the least cost.

Of this feeling, then, there are two distinct forms: the first, the wish to exercise self-denial for the sake of self-discipline merely, a wish acted upon in the abandonment of things loved or desired, there being no direct call or purpose to be answered by so doing; and the second, the desire to honour or please some one else by the costliness of the sacrifice. The practice is, in the first case, either private or public; but most frequently, and perhaps most properly, private; while, in the latter case, the act is commonly, and with greatest advantage, public. Now, it cannot but at first appear futile to assert the expediency of self-denial for its own sake, when, for so many sakes, it is every day necessary to a far greater degree than any of us practise it. But I believe it is just because we do not enough acknowledge or contemplate it as a good in itself, that we are apt to fail in its duties when they become imperative, and to calculate, with some partiality, whether the good proposed to others measures or warrants the amount of grievance to ourselves, instead of accepting with gladness the opportunity of sacrifice as a personal advantage. Be this as it may, it is not necessary to insist upon the matter here; since there are always higher and more useful channels of self-sacrifice, for those who choose to practise it, than any connected with the arts.