Page:Rothschild Extinct Birds.djvu/207

 It is strange that for many years after great attention had been paid to the Dodo, ornithologists differed conspicuously as to what family it and the other two Didine species belonged. Many asserted that it was a Struthious bird, in fact Linnaeus called it calmly Struthio cucullatus, while others just as forcibly declared it to be an abnormal Vulture. The truth is, that although the Didunculus strigirostis of Samoa, which was supposed to be its near representative, is not at all closely allied, yet the two species of Didus and Pezophaps solitarius form a group of very specialized pigeons.


 * THE FOLLOWING IS A LIST OF THE PAINTINGS REPRESENTING THE DODO.


 * 1. Vienna, in the Library of the Emperor Francis. By Hufnagel, 1626, reproduced by von Frauenfeldt in his book, 1868.


 * 2. Berlin. "Altes Museum," Cabinet 3, Division 2, No. 710. By Roelandt Savery, 1626.


 * 3. Sion House. Duke of Northumberland. By John Goeimare, 1627.


 * 4. Vienna. Kunsthistorisches Hofmuseum, formerly Belvedere. By Roelandt Savery, 1628


 * 5. London. Zoological Society, formerly Broderip. By Roelandt Savery, undated.


 * 6. Pommersfelden, Bavaria. Count Schönborn, "Orpheus charming the Beasts." By Roelandt Savery, undated.


 * 7. Haag. Mauritshuis. "Orpheus charming the Beasts." By Roelandt Savery.


 * 8. Stuttgart. Formerly Dr. Seyffer, but sold at his death and since disappeared. By Roelandt Savery.


 * 9. London. British Museum, formerly belonging to G. Edwards. Probably by Roelandt Savery.


 * 10. Emden. Galerie der Gesellschaft für Bildende Kunst. "Orpheus charming the Beasts." By Roelandt Savery.


 * 11. Oxford. Ashmolean Museum. By John Savery, 1651.


 * 12. Haarlem. Dr. A. van der Willigen, Pz. By Pieter Holsteyn (1580-1662), not dated.


 * 13. Dresden. Kgl. Gemälde-Galerie. "Circe and Ulysses." By C. Ruthart, 1666.


 * 14. Dresden. Kgl. Gemälde-Galerie. "The Creation of the Animals." Supposed to be by Franz Francken (1581-1642), no date, and said to be by a different artist.

At least 2 Mauritius Dodos have been exhibited alive in Europe, one brought back by Van Neck in 1599, and which most likely served as the model for nearly all Roelandt Savery's pictures, and one exhibited in London in the year 1638, mentioned by Sir Hamon Lestrange. This is almost certainly the bird afterwards preserved in Tradescant's Museum (1656), and finally in Oxford (Ashmolean Museum), and probably served for the model of the supposed Savery picture in the British Museum.

The Dodo inhabited Mauritius.


 * NOTE.—Didus nazarenus Gmelin, based on the "Oiseau de Nazareth" of Cauche (Descr. de l'ile de Madagascar, p. 130, ff, 1651) is evidently founded on a mistaken and partly fictitious description of a Dodo, or rather a mixture of that of the Dodo and a Cassowary. The name was, perhaps, also a mistake, derived from that of "Oiseau de nausée," which has a similar meaning as "Walghvogel."