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was waked by a tap at the door. The cold light of early morning was in the room, and Maso was come for the travelling wallet. The old man could not help starting when she opened the door, and showed him, instead of the graceful outline he had been used to, crowned with the brightness of her hair, the thick folds of the grey mantle and the pale face shadowed by the dark cowl.

"It is well, Maso," said Romola, trying to speak in the calmest voice, and make the old man easy. "Here is the wallet quite ready. You will go on quietly, and I shall not be far behind you. When you get out of the gates, you may go more slowly, for I shall perhaps join you before you get to Trespiano."

She closed the door behind him, and then put her hand on the key which she had taken from the casket the last thing in the night. It was the original key of the little painted tabernacle; Tito had forgotten to drown it in the Arno, and it had lodged, as such small things will, in the corner of the embroidered