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Rh room, to look at some works of a favourite artist. "If there be any thing," said Mr. Morland, "In the doctrine of sympathies, Mr. Webster must have been the very worst child that ever figured in those stories of wilful urchins, whose bad ways are held up as a warning in the story-books that de lighted our youth. He is the Sir Thomas Lawrence of naughty children. Look at this 'Shooting a Prisoner.' Can any thing exceed the mirthful, mischievous, or—let me use a nurse's common phrase—audacious expression of the boys' faces, unless it be the half-inclined-to-laugh, the half-resolving-to-cry face of the girl, who sees the little cannon pointed at her poor doll?—Here is another picture which ought to be engraved for the benefit of the national schools. A young culprit has been caught in the fact of robbing an orchard, and brought back to his master, who stands over him with an iron face of angry authority;—the very apples, as if anxious to bear witness against him, are tumbling from his satchel. But—oh the moral of example, the efficacy of fear!—only observe the utter dismay, the excess of dread, on the face of a younger boy, who is seated on a form, with a fool's-cap on.