Page:Romain Rolland Handel.djvu/125

 Rh Messiah, the Flemish carillon in Saul, the joyous popular Italian songs in Hercules, and in Alexander Balus? Handel was not an artist lost in introspection. He watched all around him, he listened, and observed. Sight was for him a source of inspiration, hardly of less importance than hearing. I do not know any great German musician who has been as much a visual as Handel. Like Hasse and Corelli, he had a veritable passion for beautiful pictures. He hardly ever went out without going to a theatre or to a picture sale. He was a connoisseur, and he made a collection, in which some Rembrandts were found after his death. It has been remarked that his blindness (which should have rendered his hearing still more sensitive, his creative powers translating everything into sonorous dreams) soon paralysed his hearing when its principal source of renewal was withdrawn.

Thus, saturated in all the European music of his time, impregnated with the music of musicians, and the still richer music which flows in all Nature herself, which is specially diffused in the vibrations of light and shade, that song of the rivers, of the forest, of the birds, in which all his works abound, and which have inspired some of his most picturesque pages with a semi-romantic colour, he wrote as one speaks, he composed as one breathes. He