Page:Rolland - People's Theater.djvu/103

Rh Béziers, and Orange, although they are almost ruined by the combined Provençal and Parisian influences, and fluctuating in their choice of plays from Les Précieuses ridicules to Le Châlet of Adolphe Adam, from the Phèdre of Racine to the Iphigénie of Moréas, the Œdipus of Sophocles to that of Péladan—these performances none the less serve the cause of the People's Theater in its