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 same tends to be true of the artist. If he has become rich, he is respected, though of course less than the millionaire; but his pictures or books or music are regarded as the chewing-gum or the button-hooks are regarded, merely as a means to money. In such an atmosphere it is very difficult for the artist to preserve his creative impulse pure: either he is contaminated by his surroundings, or he becomes embittered through lack of appreciation for the object of his endeavour.

It is not appreciation of the artist that is necessary so much as appreciation of the art. It is difficult for an artist to live in an environment in which everything is judged by its utility rather than by its intrinsic quality. The whole side of life of which art is the flower requires something which may be called disinterestedness, a capacity for direct enjoyment without thought of to-morrow's problems and difficulties. When people are amused by a joke, they do not need to be persuaded that it will serve some important purpose. The same kind of direct pleasure is involved in any genuine appreciation of art. The struggle for life, the serious work of a trade or profession, is apt to make people too solemn for jokes and too preoccupied for art. The easing of the struggle, the diminution in the hours of work, and the lightening of the burden of existence, which would result from a better economic system, could hardly fail to increase the joy of life and the vital energy available for sheer delight in the world. And if this were achieved, there would inevitably be more spontaneous pleasure in beautiful things, and more enjoyment of the work of