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 It is not by any system, but by freedom alone, that art can flourish.

There are two ways by which the artist could secure freedom under Socialism of the right kind. He might undertake regular work outside his art, doing only a few hours' work a day and receiving proportionately less pay than those who do a full day's work. He ought, in that case, to be at liberty to sell his pictures if he could find purchasers. Such a system would have many advantages. It would leave absolutely every man free to become an artist, provided he were willing to suffer a certain economic loss. This would not deter those in whom the impulse was strong and genuine, but would tend to exclude the dilettante. Many young artists at present endure voluntarily much greater poverty than need be entailed by only doing half the usual day's work in a well-organized Socialist community; and some degree of hardship is not objectionable, as a test of the strength of the creative impulse, and as an offset to the peculiar joys of the creative life.

The other possibility would be that the necessaries of life should be free, as Anarchists desire, to all equally, regardless of whether they work or not. Under this plan, every man could live without work: there would be what might be called a "vagabond's wage," sufficient for existence but not for luxury. The artist who preferred to have his whole time for art and enjoyment might live on the "vagabond's wage"—travelling on foot when the humour seized him to see foreign countries,