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 were among the most profitable "stereotypes" of journalism. Finally, Le Courrier de l'Orne of M. du Bousquier published, about 1830, these lines: "A certificate for an income of a thousand francs a year will be awarded to the person who can show the existence of a M. de Pombreton before, during, or after the emigration." (Lost Illusions, A Distinguished Provincial at Paris, Jealousies of a Country Town)

POMPONNE (La). (See Toupinet, Madame.)

PONS (Sylvain), born about 1785; son of the old age of Monsieur and Madame Pons, who, before 1789, founded the famous Parisian house for the embroidery of uniforms that was bought, in 1815, by M. Rivet, first cousin of the first Madame Camusot of the Cocon d'Or, sole heir of the famous Pons brothers, embroiderers to the Court; under the Empire, he won the Prix de Rome for musical composition, returned to Paris about 1810, and was for many years famous for his romances and melodies which were full of delicacy and good taste. From his stay in Italy, Pons brought back the tastes of the bibliomaniac and a love for works of art. His passion for collecting consumed almost his entire patrimony. Pons became Sauvageot's rival. Monistrol and Elie Magus felt a hidden but envious appreciation of the artistic treasures ingeniously and economically collected by the musician. Being ignorant of the rare value of his museum, he went from house to house, giving private lessons in harmony. This lack of knowledge proved his ruin afterwards, for he became all the more fond of paintings, stones and furniture, as lyric glory was denied him, and his ugliness, coupled with his supposed poverty, kept him from getting married. The pleasures of a gourmand replaced those of the lover; he likewise found some consolation for his isolation in his friendship with Schmucke. Pons suffered from his taste for high living; he grew old, like a parasitic plant, outside the circle of his family, only tolerated by his distant cousins, the Camusot de Marvilles, and their connections, Cardot, Berthier and