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 Ancients have far out-done the Moderns. The Italians, whose Performances have been the most considerable in this kind, and who, as Genuine Successors of the Old Romans, are not apt to undervalue what they do themselves, have, for the most part, given the uncontested Pre-eminence to the Ancient Greek Architects, Painters and Sculptors. Whose Authority we ought the rather to acquiesce in, because Michael-Angelo and Bernini, two wonderful Masters, and not a little jealous of their Honour, did always ingenuously declare, that their best Pieces were exceeded by some of the ancient Statues still to be seen at Rome.

Here therefore I at first intended to have left off; and I thought my self obliged to resign what I believed could not be maintained, when Monsieur Perrault's Parallel of the Ancients and Moderns came to my Hands. His Skill in Architecture and Mechanicks was sufficiently manifested long ago, in his admirable Translation of, and Commentaries upon Vitruvius: And his long Conversation with the finest Pieces of Antiquity, and of these Later Ages, fitted him for judging of these Matters better than other Men. So that, though there might be great Reason not to agree to his Hypothesis of the State of