Page:Red (1925).pdf/95

 Catalonia and Turina's La Procesión del Rocio, which Debussy has compared to a luminous fresco, which reminds me that Spanish music altogether is unknown in our concert halls. We might hear more Sibelius and Musorgsky. . . Borodin. . . John Carpenter. . . Schoenberg's Five Pieces. . . Stravinsky's Sacre du Printemps. Why not even Petrouchka? Ornstein's The Fog, Ravel, Dukas (has La Péri been played here?), d'Indy, Korngold. ..

December 7, 1916.