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 something extraordinary. For César Franck came nearer to expressing aspiration and vague longing in his mystic music than any other composer. It is not alone the Rédemption and the Béatitudes that shine in blessed light. The D minor Symphony is to me one of the finest examples of simple sublimity to be found in all music. This haunting reticulation of tones aspires and even reaches beyond aspiration. The terrible first movement warns us of the Judgment Day and then in melting human tones forgives us our sins. The allegretto is like a graceful dance of angels, the angels of Benozzo Gozzoli, clad in robes of mulberry and lilac sewn with threads of gold and silver, their halos effulgent in a blue light, itself impregnated with golden dust, while the hautboys and harps ravish our ears and the soaring violins give ample promise of the glory of the heavenly choirs. Santa Teresa would have loved this music, music mystic and beneficent at the same time, not the mysticism tinged with chypre and verveine and essence of bergamot which makes Debussy's music a powerful stimulant to jaded nerves. César Franck could have realized the simple purity of Marguerite and he would have carried her triumphantly, gloriously, magnificently, through vague Gothic arches of tone which would have burst the bound-