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 those ancestral ideals which had inspired its legislators and been embodied in its sacred civic traditions. The owl of Minerva flew, as Hegel says, in the dusk of evening; and it was horror at the abandonment of all creative virtues that brought Plato to conceive them so sharply and to preach them in so sad a tone. It was after all but the love of beauty that made him censure the poets; for like a true Greek and a true lover he wished to see beauty flourish in the real world. It was love of freedom that made him harsh to his ideal citizens, that they might be strong enough to preserve the liberal life. And when he broke away from political preoccupations and turned to the inner life, his interpretations proved the absolute sufficiency of the Socratic method; and he left nothing pertinent unsaid on ideal love and ideal immortality.

Beyond this point no rendering of the Life of Reason has ever been carried. Aristotle improved the detail, and gave breadth and precision to many a part. If Plato possessed greater imaginative splendour and more enthusiasm in austerity, Aristotle had perfect sobriety and adequacy, with greater fidelity to the common sentiments of his race. Plato, by virtue of his scope and plasticity, together with a certain prophetic zeal, outran at times the limits of the Hellenic and the rational; he saw human virtue so surrounded and oppressed by physical dangers that he wished to give it