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 and Wrede, as a matter of fact, feels obliged to give up that theory as regards this incident. "This scene," he remarks, "can hardly have been created by Mark himself." It also, therefore, belongs to another tradition.

Here, then, is a third Messianic fact which cannot be brought within the lines of Wrede's "literary" theory of the Messianic secret. And these three facts are precisely the most important of all: Peter's confession, the Entry into Jerusalem, and the High Priest's knowledge of Jesus' Messiahship! In each case Wrede finds himself obliged to refer these to tradition instead of to the literary conception of Mark. This tradition undermines his literary hypothesis, for the conception of a tradition always involves the possibility of genuine historical elements.

How greatly this inescapable intrusion of tradition weakens the theory of the literary interpolation of the Messiahship into the history, becomes evident when we consider the story of the passion. The representation that Jesus was publicly put to death as Messiah because He had publicly acknowledged Himself to be so, must, like the High Priest's knowledge of His claim, be referred to the other tradition which has nothing to do with the Messianic secret, but boldly antedates the Messiahship without employing any finesse of that kind. But that strongly tends to confirm the historicity of this tradition, and throws the burden of proof upon those who deny it. It is wholly independent of the hypothesis of secrecy, and in fact directly opposed to it. If, on the other hand, in spite of all the difficulties, the representation that Jesus was condemned to death on account of His Messianic claims is dragged by main force into the theory of secrecy, the question arises: What interest had the persons who set up the literary theory of secrecy, in representing Jesus as having been openly put to death as Messiah and in consequence of His Messianic claims? And the answer is: "None whatever: quite the contrary." For in doing so the theory of secrecy stultifies itself. As though one were to develop a photographic plate with painful care and, just when one had finished, fling open the shutters, so, on this hypothesis, the natural Messianic light suddenly shines into the room which ought to be lighted only by the rays of the dark lantern.

Here, therefore, the theory of secrecy abandoned the method which it had hitherto followed in regard to the traditional material. For if Jesus was not condemned and crucified at Jerusalem as