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 in astonished protrusion, and in fact, the royal countenance became inauspicious in the highest degree. The transgressor shuddered into silence, while the awful "We are not amused" annihilated the dinner table. Afterwards, in her private entourage, the Queen would observe that the person in question was, she very much feared, "not discreet"; it was a verdict from which there was no appeal.

In general, her aesthetic tastes had remained unchanged since the days of Mendelssohn, Landseer, and Lablache. She still delighted in the roulades of Italian opera; she still demanded a high standard in the execution of a pianoforte duet. Her views on painting were decided; Sir Edwin, she declared, was perfect; she was much impressed by Lord Leighton's manners; and she profoundly distrusted Mr. Watts. From time to time she ordered engraved portraits to be taken of members of the royal family; on these occasions she would have the first proofs submitted to her, and, having inspected them with minute particularity, she would point out their mistakes to the artists, indicating at the same time how they might be corrected. The artists invariably discovered