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216 The Hurst, instead of second-hand (with promises not to repeat it) from Mrs Quantock. It appeared that she had a better nature than Lucia credited her with, but to expect her not to tell everybody about the tableaux would be putting virtue to an unfair test.

"So that's all settled," said Georgie, as he returned with the last acceptance, "and how fortunately it has happened after all. But what a day it has been. Nothing but telephoning from morning till night. If we go on like this the company will pay a dividend this year, and return us some of our own pennies."

Lucia had got a quantity of pearl beads and was stringing them for the tableau of Mary Queen of Scots.

"Now that everyone knows," she said, "we might allow ourselves a little more elaboration in our preparations. There is an Elizabethan axe at the Ambermere Arms which I might borrow for Peppino. Then about the Brunnhilde tableau. It is dawn, is it not? We might have the stage quite dark when the curtain goes up, and turn up a lamp very slowly behind the scene, so that it shines on my face. A lamp being turned up very slowly is wonderfully effective. It produces a perfect illusion. Could you manage that with one hand and play the music of the awakening with the other, Georgino?"

"I'm quite sure I couldn't," said he.

"Well then Peppino must do it before he comes on. We will have movement in this tableau; I think that will be quite a new idea. Peppino shall come in—just two steps—when he has turned the