Page:Pulchrism - Championing Beauty as the Purpose of Art.pdf/24

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[2] Loos, A. (1913). Ornament und Verbrechen. Cahiers D'aujourd'hui.

[3] Hans Richter, Dada. Art and Anti-art (with a postscript by Werner Haftmann), Thames & Hudson, London & New York, 2004.

[4] Laar, T., & Diepeveen, L. (n.d.). Artworld prestige: Arguing cultural value.

[5] Nietzsche, F., & Kaufmann, W. (1974). The gay science: With a prelude in rhymes and an appendix of songs. New York: Vintage Books.

[6] Fukuyama, F. (1992). The end of history and the last man. New York: Free Press.

[7] Bataille, G. (1986). Erotism: Death & sensuality. San Francisco: City Lights Books.

[8] Escritt, Stephen. Art Nouveau. London: Phaidon, 2000.

[9] Calloway, Stephen, 2011. The Cult of Beauty. 1st ed. London: V&A Publishing.

[10] Elizabeth Prettejohn, 2005. Beauty and Art: 1750–2000 (Oxford History of Art). Edition. Oxford University Press.

[11] Events – Special event – On beauty. British Museum (2015, May 29). Retrieved July 29, 2015.

[12] Beauty is subjective. Period. (2012). Retrieved July 29, 2015.

[13] Escritt, Stephen. Art Nouveau. London: Phaidon, 2000.

[14] Arthur C. Danto, 2003. The Abuse of Beauty: Aesthetics and the Concept of Art (The Paul Carus Lectures Series 21). 21st Edition. Open Court.

[15] Saunders, F. The Independent (1995, October 22). Retrieved July 29, 2015.

[16] Minnicino, M. (1992, December 21). Schiller Institute THE NEW DARK AGE The Frankfurt School and "Political Correctness" Retrieved July 29, 2015.

[17] Who financed Lenin and Trotsky? Wild Boar (2015). Retrieved July 29, 2015.

[18] Escritt, Stephen. Art Nouveau. London: Phaidon, 2000

[19] Llewellyn, D. (2013, June 23). Conceptual Art is Dead (and about f**king time). Retrieved July 30, 2015.